PHOENIX, AZ (April 15, 2026) – This summer, Phoenix Art Museum (PhxArt) presents Ecstatic Time: The Alchemy of Photography, an original exhibition exploring photography’s ability to influence perception. Featuring nearly 100 works from the collection of the University of Arizona’s Center for Creative Photography (CCP) in Tucson, Ecstatic Time presents photographs spanning nearly the entire history of the medium, including still lifes to time-lapse and astronomical imagery, that demonstrate the transformative, experimental, and whimsical nature of photography. The exhibition celebrates the 20-year anniversary of the landmark partnership between Phoenix Art Museum and CCP, established through funding by Mr. and Mrs. John R. Norton to bring vibrant photography exhibitions comprising works from the Center’s unparalleled collections to new and larger audiences. Ecstatic Time: The Alchemy of Photography will be on view at PhxArt from July 29, 2026, through January 3, 2027.

“Phoenix Art Museum is proud to present Ecstatic Time: The Alchemy of Photography in partnership with the Center for Creative Photography as we celebrate the 20th anniversary of the Norton agreement that formalized our shared commitment to engaging our audiences with exemplary works spanning the history of photography,”said Jeremy Mikolajczak, the Museum’sSybil Harrington Director and CEO of Phoenix Art Museum and coordinating curator of the exhibition’s PhxArt presentation. “This enduring collaboration has allowed our institutions to bring extraordinary works from the CCP collection to our community while advancing a deeper understanding of photography as an evolving, experimental, and transformative medium. Ecstatic Time reflects the strength of that partnership, offering audiences the opportunity to reflect on the boundless creative possibilities of the photographic medium.”

Although often credited with capturing reality, photography also has the power to reveal, transform, and defamiliarize its subjects, augmenting reality rather than reproducing it exactly as it appears. Ecstatic Time takes its title from the film theorist Hollis Frampton, who proposed that photographs enable viewers to access what he called “ecstatic time,” an experience distinct from historical or clock time. Derived from the Ancient Greek ékstasis, meaning “to stand outside oneself,” the term reflects how photographs suspend their subjects from the continuous flow of lived experience. The photographs on view encourage viewers to attend more closely, opening access to deeper realities beneath the surface of everyday perception.

“The Center for Creative Photography’s partnership with Phoenix Art Museum is an innovative model for collection sharing, one that allows the CCP to fulfill its mission by engaging audiences beyond our location on the University of Arizona campus in Tucson,” said Todd Tubutis, the Director of the Center for Creative Photography. “We are delighted to celebrate 20 years of a wonderful institutional collaboration with the opening of Ecstatic Time, and look forward to many more engaging photography exhibitions in the Norton Gallery for years to come.”

Ecstatic Time features approximately 100 objects from the CCP’s collection, including unexpected treasures by canonical figures such as Ansel Adams and Edward Weston, exemplifying process experimentation and puzzling or playful subject matter and demonstrating the breadth and inventiveness of creative photography. Spanning the full history of the medium from the 19th century to the present, the exhibition places particular emphasis on early 20th-century works, examining photography’s complex relationship with time through examples of flash photography, still lifes, time-lapse imagery and astronomical photographs, including images that capture phenomena invisible to the naked eye. Collectively, the works evoke a cabinet of curiosities, underscoring photography’s capacity for visual alchemy and experimentation.

Ecstatic Time is arranged in four thematic sections.

• Awake and Dreaming brings together surreal and enigmatic 20^th-century images, orienting viewers to the transformative nature of camera vision and techniques like flash that freeze moments in time. Artists featured here include Ilse Bing, Manuel Álvarez Bravo, Kozo Miyoshi, and Garry Winogrand.
• The Thing Itself presents a sprawling wall of still lifes that amplify the presence of their subjects, echoing a “cabinet of curiosities.” Visitors will spot pictures by figures from Harold Edgerton and Edward Weston to Masahisa Fukase and Abelardo Morell.
• Out of this World features astronomical imagery, including solar eclipses (including an image of an eclipse captured by Ansel Adams) and an image recorded by NASA’s Mars Pathfinder rover, highlighting how the medium has given us access to faraway or invisible subject matter.
• Incisions in History / Segments of Eternity presents works that forge reverberations between past and present, including conceptual works by artists like Hiroshi Sugimoto and Lew Thomas that examine photography’s relationship to time and a suite of 19^th-century images that look back at earlier eras.

“Ecstatic Time brings together works that remind us how endlessly surprising photography can be,” said Emilia Mickevicius, the Norton Family Assistant Curator of Photography at Phoenix Art Museum and the Center for Creative Photography, who devised the exhibition for PhxArt. “My point of departure was a database group of unusual objects I’d been maintaining since starting my position three years ago. Every time I came across a particularly striking picture in the storage vault that startled or delighted me in some way, I’d add it to the group—and eventually it dawned on me: what if this was the basis for an entire show? Rather than offering a chronological survey of the medium, the resulting exhibition invites viewers to encounter an unusual group of photographs that delight, puzzle and disrupt our sense of time and perception. These pictures encourage us to slow down, look closely and experience photography not just as a transparent record of the world, but as a medium capable of wonder, imagination, and experimentation.”

High-resolution photography for Ecstatic Time: The Alchemy of Photography can be downloaded here. Torequest interviews, contact the Communications Office of Phoenix Art Museum at press@phxart.org and kaylee.weyrauch@phxart.org.  

About the Exhibition

Ecstatic Time: The Alchemy of Photography is co-organized by Phoenix Art Museum and the Center for Creative Photography. The exhibition is curated by Emilia Mickevicius, PhD, the Norton Family Assistant Curator of Photography. All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

Admission is free for Museum Members and youth aged 5 and younger. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, contemporary art, and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, a monthly live-music series, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About the Center for Creative Photography (CCP):

Founded in 1975, the Center for Creative Photography is the largest institution in North America devoted to the research and exhibition of photography. At the heart of CCP’s holdings are more than 300 archives of photographers, scholars, galleries, and organizations, complemented by an unparalleled collection of some 120,000 fine prints. In addition, CCP focuses on preserving and stewarding its holdings through a robust conservation program and digital imaging unit. The Center owns and manages copyrights for a selection of archive artists and supports licensing and image file delivery to publishers, authors, educators, and filmmakers worldwide. As a unit of Arizona Arts at the University of Arizona, the Center maintains a robust calendar of free exhibitions and programs for the public, serves students and faculty through curricular engagements, and awards several international research fellowships annually.

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PHOENIX (March 1, 2026) – Phoenix Art Museum (PhxArt) has opened the annual call for submissions for the institution’s Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards), a juried grant program that provides recognition and $10,000 in financial support for emerging, professional artists based in Arizona. Additionally, applicants who are not chosen for the Lehmann Emerging Artist Awards will be automatically entered into the running for the Sette/Cohn Artist Award, a $5,000 prize awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool. This year’s open call will again be hosted in partnership with Artlink, a Phoenix-based arts organization who has partnered with the Museum on the institution’s Arizona Artist Awards open call for nearly a decade. The call will be open from March 1 – April 27, 2026 to qualifying artists who wish to present their work for consideration. There is no cost to submit an application. Up to two Lehmann Emerging Artist Awards recipients and one Sette/Cohn Artist Award recipient will be announced the week of September 21, 2026.

“Investing in and supporting artists who live and work in Arizona remains at the heart of the mission of Phoenix Art Museum,” said Jeremy Mikolajczak, the Sybil Harrington Director and CEO. “We are immensely thankful to our donors who allow us to enact on that commitment with their support of the artists’ prizes. Not only does their generosity support the work and lives of local artists, but also creating greater awareness more broadly of the incredible work Arizona artists are creating in our state, enabling the Museum to display these remarkable, compelling works to our Arizona community and beyond.”

The Sally and Richard Lehmann Emerging Artist Awards fosters the creation of contemporary art by encouraging emerging artists working in Arizona through grants and annual exhibitions, in addition to providing additional programming opportunities for artist talks with the community at PhxArt. Each year, two artists are selected as award recipients by a jury assembled by Christian Ramírez, the Cohn Assistant Curator of Contemporary Art and Director of Engagement at PhxArt. The jury includes curators, artists, and other visual-arts experts from both in and outside of Arizona. In addition to each artists receiving a $10,000 prize, Lehmann Emerging Artist Awards recipients also receive a lifetime Museum Membership and an invitation to present their work in a group exhibition at PhxArt.

For those individuals who are not selected as Lehmann Emerging Artist Awards recipients, their applications will be considered for the Museum’s Sette/Cohn Artist Award. The Sette/Cohn Artist Award is a five-year initiative dedicated to strengthening community partnerships and local artists through the Museum’s annual Arizona Artist Awards program. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and are now extending their generosity to support local artists. Artists who apply for the Lehmann Emerging Artist Awardswill be automatically entered into the running for the Sette/Cohn Artist Award and do not need to reapply.

Call for 2026 Lehmann Emerging Artist Awards + Sette/Cohn Award Submissions

PhxArt will accept submissions for the 2026 Lehmann Emerging Artist Awards and the Sette/Cohn Award from March 1 – April 27, 2026. Applications are accepted online only and are due by 5:00 p.m. MST on April 27, 2026. The selection committee will award up to two Lehmann Emerging Artist Awards of $10,000 each and one Sette/Cohn Artist Award of $5,000. Lehmann Award recipients will also be invited to present work in a 2026 group exhibition at the Museum and receive a lifetime Membership to PhxArt. There is no fee to submit to the open call.

Eligibility Requirements:

Artists must be considered emerging artists to apply, meeting at least one of the following criteria: 

• Artists with at least four years of professional experience and who are currently making and exhibiting new work.
• Artists whose work has been shown in Arizona but not extensively outside of the state.  
• Individuals returning to art after a hiatus. 
• Artists must have been living in Arizona for at least one year at the time of application.
• Artists working in all media, including painting, sculpture, drawing, installation, new media, performance, photography, and video, may apply.
• Submitted artwork must have been produced within the past three years.
• Artists must be registered as an Artlink Articipant. Register as an Articipant* with Artlink here.

Applicants are ineligible if they are:

• Artists who have not yet resided in Arizona for one year
• Enrolled full-time in an academic program
• Individuals who engage in art making as a hobby
• Previous winners of an Emerging Artist Award from Phoenix Art Museum
• Current Phoenix Art Museum staff, board, or volunteers.

Submission Requirements:
Applications must be submitted online USING THIS LINK and include:

• Artist name, mailing address, email address, and telephone number
• Artist website
• Resume/CV
• Artist statement (300 words or fewer)
• Six (6) images of the artwork you wish to be reviewed by jurors:
  • Artwork must be produced in the last three (3) years.
  • Video work samples will be accepted; they are not to exceed three minutes each.
• Descriptions of each submitted artwork
  • Please include title, date completed, medium, and dimension
  • Short description of the work is optional (100 words or fewer)

Submission Deadline:

All materials must be submitted online by 5:00 pm MST on April 27, 2026. Submit applications to this link.Application materials apply to both the Lehmann Emerging Artist Awards and the Sette/Cohn Artist Award. Please email curatorial@phxart.org with any questions.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, an art+music festival, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About the Sally and Richard Lehmann Emerging Artist Awards

The Sally and Richard Lehmann Emerging Artist Awards are presented annually by Phoenix Art Museum. The artists’ grants recognition program is a continuation of a program begun by former Museum support group Contemporary Forum, which awarded more than 180 artists’ grants over more than 30 years. The Contemporary Forum Artists’ Grants concluded in 2017, at which time Phoenix Art Museum continued to subsidize an annual artists’ grants program to support the efforts and recognition of Arizona-based artists. In April 2021, the annual artists’ grants program was rebranded to acknowledge the support of local donors Sally and Richard Lehmann, who have committed to funding the Lehmann Emerging Artist Awards annually for a minimum of 10 years. Effective with the 2024 cohort of Arizona Artist Award recipients, PhxArt increased monetary support for the annual Lehmann Emerging Artists Awards from $5,000 to $10,000 per artist (two awarded), made possible through the generosity of the Cohn Fund for Arts & Culture at the Arizona Community Foundation.  

About the Sette/Cohn Artist Award

The Sette/Cohn Artist Award is a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships through the annual Arizona Artist Awards program at Phoenix Art Museum. This $5,000 unrestricted prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award applicant pool by a jury panel. It is named in honor of Lisa Sette and Lee and Mike Cohn. Sette is a leading advocate for original and thought-provoking artistic expression, and for more than 40 years, Lisa Sette Gallery has been at the forefront of contemporary art, exhibiting artists from Arizona and across the country working on the edge of aesthetic, social, and conceptual investigation. The Cohns are longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and with the Sette/Cohn Artist Award have now extended their generosity to support Arizona-based artists.

About Artlink Inc.

Artlink keeps the arts integral to our development by connecting artists, businesses and the community. Founded as a 501(c)(3) nonprofit organization by artists in 1989, the Artlink name is a guiding principle for the organization, as it supports stakeholders of the arts and culture community, amplifying its collective strength. Visit artlinkphx.org and artinerary.com.

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Cara Romero, Alika No. 2, 2024, archival pigment print. © Cara Romero. Image courtesy of the artist.

PHOENIX, AZ (December 9, 2025) – In early 2026, Phoenix Art Museum (PhxArt) will present the landmark exhibition Cara Romero: Panûpünüwügai (Living Light), the first major museum exhibition dedicated solely to the artist’s evocative work. Romero blends fine art and editorial styles to challenge dominant narratives of Indigenous decline and erasure while disrupting preconceived notions about what it means to be a Native American. Organized by the Hood Museum of Art, Dartmouth, Panûpünüwügai (Living Light) features more than 60 iconic large-scale photographs spanning a decade of the artist’s career, including a new, never-before-exhibited work commissioned by PhxArt to be created by Cara Romero—a project based in regional, collaborative storytelling with Native peoples. Cara Romero: Panûpünüwügai (Living Light) will be on view at PhxArt from February 28 through June 28, 2026.

“Phoenix Art Museum is profoundly honored to debut Cara Romero: Panûpünüwügai (Living Light) during this historic moment for the institution, as we expand our commitment to presenting the most innovative voices shaping contemporary art today,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Romero stands at the forefront of contemporary photography, masterfully weaving materials, myths, and Indigenous practices with urgent contemporary realities. Though rooted in her personal story and Indigenous futurism, her work speaks universally to themes of women’s empowerment, environmental stewardship, and the role of landscape in shaping identity. This exhibition represents a milestone for our communities to experience the work of a groundbreaking artist with deep cultural and historical ties to the Desert Southwest.” 

Cara Romero (b. 1977; Chemehuevi/American) is a renowned photographer known for dramatic fine-art photography that examines Indigenous life in contemporary contexts. An enrolled citizen of the Chemehuevi Indian Tribe, Romero was raised between the contrasting settings of the rural Chemehuevi reservation in Mojave Desert, California, and the urban sprawl of Houston, Texas. Informed by her identity, Romero’s visual storytelling represents Indigenous and non-Indigenous cultural memory, countering dominant narratives of Native American experiences and showcasing the diversity within Indigenous nations and communities. 

“Having a contemporary photography exhibit at Phoenix Art Museum marks a radical turn in my journey as a Native American female photographer,” said Cara Romeo. “I am excited for the work to be integrated into an American Art museum as an intercultural conversation– I’m especially excited that PhxArt is the closest major American Art institution to my homelands on the Chemehuevi Valley Indian Reservation. 

This is my first solo exhibition touring the United States, and Phoenix is the second of four venues. It feels like such an epic venue for this exhibition. My hope is that together, we open people’s minds to the many fascinating diversities of Native people and stories.”

The exhibition’s title, Panûpünüwügai, translates to “living light,” and has multiple meanings: the spirit of light, the way light interacts with human beings, and how both light and people are enlivened through these interactions. Featured works, including site-specific installations and large-scale photographs, are organized across five thematic sections: 

California Desert and Mythos draws inspiration from Romero’s experiences of growing up in the Chemehuevi Valley in Southeastern California along the Colorado River, which shaped her worldview and work. Throughout this section, visitors encounter four young boys who represent not only themselves, but also time-traveling spirit beings of the landscape, reminding audiences that neither time nor the rich ecological and social history of the Mojave Desert are linear. 

In (Re)Imagining Americana Drawing, Romero upends stereotypical images and stories from pop culture and mass media that often define Native-American experiences and opportunities. Working with various collaborators to produce the works featured in this section, Romero riffs on images of American Girl dolls and Leonardo da Vinci’s The Last Supper, among other mainstream imagery. 

Rematriation: Empowering Indigenous Women showcases images that position female subjects in spaces of power. Created from a maternal and biographical perspective, these works are informed by the women leaders Romero has encountered in her own life and community. 

Environmental Racism spotlights some of Romero’s most memorable images, speaking to historical and contemporary issues of resource extraction and its impacts on indigenous ecosystems. These photographic dreamscapes—many of which were created underwater—encourage reflection on the relationships among humanity, place, the landscape, and extractive economies.

Throughout Ancestral Futures, Romero’s otherworldly images speculate on playful contexts but assert the sacred role of ancestral knowledges and place-based intelligences in building healthy futures, not only for Indigenous peoples, but for everyone. These works are informed by the artist’s love of magical realism and center narratives such as the life-giving power of women, the intelligence of corn, and the importance of telling stories that are both complicated and hopeful. Within this section, viewers will encounter the introduction of a newly commissioned work that Romero will create by drawing on her relationships with Indigenous community members from the Phoenix region. They will be invited to collaborate on a monumental photographic work that interweaves elements and imagery of desert ecology with the notion of nonlinear time, yielding a piece that will honor ancestors and their deep knowledge of the land while asserting the vitality of Native-American communities now and into the future. Following its debut in the PhxArt presentation of Cara Romero: Panûpünüwügai (Living Light), the work will become a part of the Museum’s permanent collection numbering more than 21,000 objects, building upon the institution’s existing strength in contemporary photographic portraiture. 

“Cara Romero is one of the leading image-makers of our time,” said Emilia Mickevicius, the Norton Family Assistant Curator of Photography at Phoenix Art Museum and the Center for Creative Photography, who coordinated the exhibition’s presentation at PhxArt. “I’m eager for our audiences to connect with her practice and unique storytelling through this immersive, captivating installation.” 

The exhibition curated by Jami Powell, PhD, Associate Director of Curatorial Affairs and Curator of Indigenous Art at the Hood Museum of Art and is accompanied by a catalogue co-published by the Hood Museum of Art, Dartmouth, and Radius Books. The publication features contributions by Jami Powell, notable scholars including Suzan Shown Harjo (Mvskoke), former U.S. Poet Laureate Joy Harjo (Mvskoke), and Jordan Poorman Cocker (Kiowa and Tongan), Curator of Indigenous Art at Crystal Bridges Museum of American Art, among others. The catalogue will be available at the Phoenix Art Museum Store.

For high-resolution photography for Cara Romero: Panûpünüwügai (Living Light) or to request interviews, contact the Communications Office of Phoenix Art Museum kaylee.weyrauch@phxart.org or press@phxart.org.   

About the Exhibition

Cara Romero: Panûpünüwügai (Living Light) is organized by the Hood Museum of Art, Dartmouth, and curated by Jami Powell, PhD, Associate Director of Curatorial Affairs and Curator of Indigenous Art at the Hood Museum of Art. It is generously supported by leadership gifts from Claire Foerster and Daniel S. Bernstein, Thomas A. and Georgina T. Russo, and support from the Terra Foundation for American Art, the Charles Gilman Family Endowment, and a gift from Karen Miller Nearburg and Charles Nearburg. The exhibition’s presentation at Phoenix Art Museum is coordinated by Emilia Mickevicius, PhD, the Norton Family Assistant Curator of Photography. Its Phoenix premiere is made possible by the Carl and Marilynn Thoma Foundation, Every Page Foundation, and John and Lois Rogers. Additional support provided by Prime Steak Concepts. Contemporary art exhibitions and projects are made possible in part by the Rob Walton, Jordan Rose, and Rose Law Group Fund for Contemporary Art. All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

Admission is free for Museum Members and youth aged five and younger. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix and First Fridays from 5 – 8 pm, made possible by APS and Lexus, with additional support from Arizona Community Foundation.  For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, a monthly live-music series, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About Cara Romero 

Cara Romero, b. 1977, Inglewood, Calif. (American / Chemehuevi), is an artist known for dramatic fine art photography that examines Indigenous life in contemporary contexts. An enrolled citizen of the Chemehuevi Indian Tribe, Romero was raised between contrasting settings: the rural Chemehuevi reservation in Mojave Desert, California, and the urban sprawl of Houston, Texas. Informed by her identity, Romero’s visceral approach to representing Indigenous and non-Indigenous cultural memory, collective history, and lived experiences results in a blending of fine art and editorial styles. Maintaining a studio in Santa Fe, New Mexico, Romero regularly participates in Native American art fairs and panel discussions and was featured on PBS’s Craft in America in 2019. Her award-winning work is included in numerous public and private collections, domestically and internationally, including the Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Guggenheim Museum, Amon Carter Museum, Peabody Essex Museum, and Forge Project Collections, among others. Romero travels between Santa Fe and the Chemehuevi Valley Indian Reservation, where she maintains close ties to her tribal community and ancestral homelands.

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PHOENIX (October 27, 2025) – On November 28, 2025, Phoenix Art Museum premieres George Elbert Burr: The Desert Etchings as part of the reopening celebrations of the institution’s Art of the Americas + Europe galleries in the newly dedicated James K. Ballinger Wing. Featuring 50 outstanding prints from the Collection of Phoenix Art Museum, the exhibition examines Burr’s practice and legacy, grounded in a commitment to depicting the high desert landscapes of Arizona, Colorado, and Southern California.  

“Phoenix Art Museum is excited to present an incredible selection of works by George Elbert Burr as part the historic renovation of the James K. Ballinger Wing,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “George Elbert Burr: The Desert Etchings will be presented in the Museum’s Orme Lewis Gallery, which is now dedicated to ongoing installations of prints and drawings—considered one of the largest yet least exhibited parts of the PhxArt Collection. Fittingly, the exhibition honors not just the desert landscapes of our region and the American West but also the legacy of an artist with deep ties to the history of Phoenix Art Museum.”

American painter and printmaker George Elbert Burr (1859–1939) was born in the Midwest and moved to New York City in 1888 to establish his career as a traveling illustrator. His work was published in popular magazines such as  Harper’s and  Frank Leslie’s Weekly, and in 1891, he served as illustrator and photographer on President Benjamin Harrison’s Western tour of the United States. After extensive travels in Europe, health challenges in 1906 led Burr to Denver, where he devoted himself to printmaking. In the winters, however, the artist visited the Southwest to make sketches, from which he produced his acclaimed “Desert Set.” In 1924, Burr moved to Phoenix and over time became deeply involved in the arts community. He eventually served as an instrumental figure in the founding of the Phoenix Fine Art Association and the community-building efforts that led to the establishment of Phoenix Art Museum in 1959. 

Throughout his prolific career, Burr created approximately 25,000 works from an estimated 367 plates. Despite such an extensive body of work—demonstrative of technical innovation and mastery—the artist remains less recognized than his European predecessors, including Albrecht Durër and Rembrandt van Rijn. George Elbert Burr: The Desert Etchingsoffers Arizona audiences the opportunity to discover a wide selection of Burr’s finely detailed prints that skillfully render resolutely American subjects.

“Burr was a technical genius capable of creating myriad effects through a variety of printmaking techniques,” said Olga Viso, the Museum’s Selig Family Chief Curator and Director of Curatorial Affairs, who curated the exhibition. “He could render the tiniest burrs and spikes of a barrel cactus or ocotillo branch with mind-bending exactitude while capturing the ethereal atmospheric conditions of a twilight sky, a sandstorm, cumulous clouds, or dirt devils moving slowly across the landscape. Visitors will be able to see the vast range of Burr’s impressive production as well as get up close to inspect individual prints with a magnifying glass.” 

For high-resolution imagery and to request interviews, please contact the Communications Office at press@phxart.org. 

About the Exhibition

The inaugural installation of the James K. Ballinger Wing, an initiative honoring the historic collections of Phoenix Art Museum and the visionary leadership of Director Emeritus James K. Ballinger, was made possible by generous gifts from the Virginia M. Ullman Foundation and the Kemper & Ethel Marley Foundation. Additional support was provided by the Carl and Marilynn Thoma Foundation, Cathie Lemon, the Men’s Arts Council, and Harry and Rose Papp. 

George Elbert Burr: The Desert Etchings is organized by Phoenix Art Museum and curated by Olga Viso, the Selig Family Chief Curator and Director of Curatorial Affairs.

All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin. 

Entrance into George Elbert Burr: The Desert Etchings  is included in general admission for the public. Admission is free for Museum Members and youth aged 5 and younger. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix, and First Fridays from 5 – 8 pm, made possible by APS and Lexus, with additional support from Arizona Community Foundation. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, a monthly live-music series, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

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PHOENIX (September 3, 2025) – Phoenix Art Museum (PhxArt) today announced the recipients of the 2025 Arizona Artist Awards. Alice Leora Briggs was named the recipient of the 2025 Scult Family Artist Award and Chris Ignacio and Jan Talmadge Davids were named the recipients of the 2025 Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards). New this year is the Sette/Cohn Artist Award, established in 2024 to expand the Arizona Artist Awards program and deepen PhxArt’s support of local artists. Shaunté Glover was named the inaugural recipient. As part of the awards, each artist receives a lifetime Membership to Phoenix Art Museum as well as funds to support their artistic practice. Briggs, Ignacio, and Talmadge Davids will also have the opportunity to exhibit their work in solo and group exhibitions at the Museum premiering in summer 2026.

“We are thrilled to announce this year’s Scult, Lehmann, and Sette/Cohn Artist Awards recipients, in recognition of their artistic contributions to our state’s robust arts and culture landscape,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Each of these artists has built a dynamic, thoughtful practice that speaks to their own lived experiences, communities, and perspectives on identity, connection, and the larger human condition. We are honored to support their work as part of our ongoing commitment to amplifying the voices of Arizona-based artists through our annual Artist Awards program, and we are grateful to the Scult family, the Lehmann family, the Cohn family, Lisa Sette, and Artlink for their generosity and partnership in strengthening those efforts.” 

“I offer my heartfelt congratulations to Alice, Chris, Jan, and Shaunté as our newest cohort of Arizona Artist Awards recipients,” said Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement at Phoenix Art Museum. “These artists have all built multifaceted practices, and their work stands as a testament to the strength of the artistic community here in Arizona. I look forward to working with Alice, Chris, and Jan as we begin planning for their forthcoming exhibitions, which will be designed to engage our community with their evocative works and wide-ranging perspectives, and I look forward to seeing how Shaunté utilizes this award opportunity to support her artistic growth.” 

Scult Family Artist Award

Each year, Phoenix Art Museum recognizes a mid-career Arizona-based artist with the Scult Family Artist Award. Eligible candidates must have resided in Arizona for a minimum of four consecutive years and are nominated by a group of curators, museum directors, and other arts professionals from across the state. Their candidacy is evaluated based on their demonstration of artistic excellence, active creation and exhibition of new work, and career-spanning evolution. Following a robust review process, a jury of curators, art scholars, artists, and other experts and professionals in the field from across the country selects the recipient. The Scult Family Artist Award includes monetary support of $20,000 and an invitation to present a solo exhibition of new and past work at the Museum. The 2025 Scult Artist Award jury included Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; and Jeff Scult.

The 2025 Arlene and Morton Scult Artist Award recipient is Alice Leora Briggs. Born in an oil boomtown in West Texas, Briggs grew up in Idaho’s Snake River Valley and is now based in Tucson, Arizona. Through her practice, she investigates human frailties through drawings, woodcuts, letterpress broadsides, site-specific installations, and books. Her work has been featured in more than 50 solo exhibitions and is represented in more than 35 public collections, including those of Phoenix Art Museum; Crystal Bridges Museum of American Art; Fine Arts Museums of San Francisco; Museum of Fine Arts Houston; Library of Congress; Oxford’s Bodleian Library; and Yale’s Beinecke Rare Book and Manuscript Library.  Her publications include Dreamland: The Way Out of Juárez (2010); an illuminated manuscript-police blotter created with writer Charles Bowden; Abecedario de Juárez: An Illustrated Lexicon (2022) produced with photojournalist Julián Cardona; and The Room, a portfolio of woodcuts created with U.S. poet laureate Mark Strand. Briggs was a Fulbright Scholar at the Academy of Fine Arts and Design in Bratislava, Slovakia, and received a Guggenheim Fellowship in 2020. She received her MFA from the University of Iowa and is represented by Evoke Contemporary in Santa Fe, New Mexico, and Etherton Gallery in Tucson, Arizona.  

Lehmann Emerging Artist Awards

The Lehmann Emerging Artist Awards foster the creative practices and careers of emerging Arizona-based artists. Candidates must have resided in Arizona for a minimum of one year and are invited to apply through an annual open call hosted by Artlink, a non-profit organization that has supported and amplified Arizona artists and community-based art events and initiatives for more than 30 years. Recipients receive $10,000 in monetary support and the opportunity to present a joint exhibition at the Museum with fellow Lehmann awardees. The 2025 Lehmann Emerging Artist Awards jury was also assembled by Ramírez and included Ramírez; Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; and Sally Lehmann. 

The Museum has named Chris Ignacio and Jan Talmadge Davids as the recipients of the 2025 Lehmann Emerging Artist Awards. Based in Phoenix, ChrisIgnacio is a Filipino-American puppeteer, producer, educator, and interdisciplinary artist whose work explores the intersection of voice, technology, and identity. He began his puppetry career in New York in 2012, training with experimental artists at La MaMa and working across theater, community arts, and livestream media. In 2023, he made his debut at the Metropolitan Opera as a puppeteer in Florencia en el Amazonas, directed by Mary Zimmerman. He has also premiered original puppetry works at New York theaters including La MaMa, The Tank, and The Brick, and has toured both nationally and abroad. In Phoenix, Ignacio has served as a media designer for major institutions such as Ballet Arizona, Arizona Broadway Theater, Arizona Opera, and Childsplay. His original projects, including those featured in exhibitions at Vision Gallery and Mesa Arts Center, center community collaboration, particularly with young people or people with limited arts exposure. He holds an MFA in Theatre/Interdisciplinary Digital Media from Arizona State University (ASU), where he now teaches motion capture and 3D animation. Ignacio also serves as creative producer for the T. Denny Sanford Harmony Institute at ASU. 

Jan Talmadge Davids works in clay and mixed media to explore landscapes of her childhood and their local  ecologies and to articulate ideas of place-making. Through installation and material sensitivities, she invites the viewer to engage in the ideas of fragility and vulnerability. Talmadge Davids was born in Tucson, Arizona, spending her youth in the southeastern part of the state. She attended the University of Arizona, California State University at Long Beach, and then came from Los Angeles to pursue her MFA at the Herberger School of Art and Design, where she found the opportunity to reconcile her past with her present, which is embedded in the desert landscape. Her work has been shown at the Los Angeles Municipal Art Gallery; The Carolyn Campanga Klefeeld Contemporary Art Museum in Long Beach, CA; Tempe Center for the Arts; eye lounge; The Tucson Museum of Art; and Art d’Core Gala.

Sette/Cohn Artist Award

Established in 2024, the Sette/Cohn Artist Award was created to expand PhxArt’s Arizona Artist Awards program.  The new $5,000 prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool as part of a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and have extended their generosity to support Arizona-based artists. The award’s recipient is selected by Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; Olga Viso, Selig Family Chief Curator and Director of Curatorial Affairs, Phoenix Art Museum; Lee and Mike Cohn; and Lisa Sette. 

The inaugural 2025 Sette/Cohn Artist Award recipient is Shaunté Glover. Glover is a multidisciplinary artist based in Phoenix, Arizona. Her creative journey spans photography, film, printmaking, and sculpture, exploring identity and representation to use art as a catalyst to increase visibility, strengthen community engagement, and amplify the voices of marginalized communities, particularly those of Black women. Rooted in her upbringing in South Phoenix, Glover’s work draws from memories of childhood, basketball, family, and everyday neighborhood life. She combines these influences into layered visual narratives that reflect lived experience and cultural nuance. 

The Arizona Artist Awards are made possible by the Scult Family; Sally and Richard Lehmann; the Cohn Fund for Arts and Culture, a founding gift of the Phoenix Art Museum Education and Engagement Excellence Fund; and Lisa Sette.

For high-resolution photography or more information, contact the Museum’s Communications Office at samantha.andreacchi@phxart.org or press@phxart.org. 

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, an art+music festival, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About Artlink Inc.

Artlink keeps the arts integral to our development by connecting artists, businesses, and the community. Founded as a 501(c)(3) nonprofit organization by artists in 1989, the Artlink name is a guiding principle for the organization, as it supports stakeholders of the arts and culture community, amplifying its collective strength. Visit artlinkphx.org to sign up for the Artlink newsletter, or connect socially on Facebook, Twitter, and Instagram.

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PHOENIX (August 4, 2025) – This fall, Phoenix Art Museum (PhxArt) presents Radical Clay: Contemporary Women Artists from Japan, organized by the Art Institute of Chicago and the Carol and Jeffrey Horvitz Collection. The exhibition provides a unique opportunity to discover the technical achievements and creativity of leading women ceramicists from post-war Japan, highlighting their discovery of new possibilities for clay and its potential as a radical medium. Radical Clay: Contemporary Women Artists from Japan will be on view at PhxArt from September 24, 2025 – August 9, 2026. 

“It is a privilege for Phoenix Art Museum to present Radical Clay: Contemporary Women Artists from Japan,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Selected from the private collection of Carol and Jeffrey Horvitz, long-time supporters of Phoenix Art Museum, this exhibition highlights an incredible selection of innovative artists who have expanded the creative boundaries of ceramics as a medium. This is a rare opportunity to experience the technical advancement and innovation in contemporary Japanese art and complements the Museum’s historical works in the institution’s Asian Art Collection.”

Radical Clay celebrates the originality and virtuosity of 36 women artists from Japan who have explored sculptural expression outside the traditional field of Japanese studio ceramics since the 1970s. The exhibition’s 40 avant-garde works are drawn from the Horvitz Collection, considered one of the leading collections of Japanese contemporary ceramics outside of Japan, and explore wide-ranging content and motifs, including the human body, geology, flora, and fantastical abstract forms. Through the evocative display, visitors discover an often-overlooked history of Japanese women artists who have made significant contributions to the traditionally male-dominated field of ceramics since World War II. Featured works demonstrate these artists’ bold approaches to form, color, and surface texture, as well as the ways in which they have resisted gendered expectations by working in so-called “masculine” modes while depicting traditionally “feminine” subjects, including in large scale. An example of one of these captivating works includes Erosion No. 4 Shokka (Eroding Flower) (2021) by Shingu Sayaka, whose floral sculpture aims to capture both the fragility and strength of nature and the medium of ceramics. Thin needles of clay, each shaped by hand, are gathered into tufts evocative of the inside of a flower, with somber colors that suggest a sense of decay and the passage of time.

“Visitors will see a wide sweep of sculptures in Radical Clay: Contemporary Women Artists from Japan, from the innovative to the expressive to the mysterious,” said Colin Pearson, Curator of Asian Art at Phoenix Art Museum. “The exhibition is a powerful opportunity to discover the many ways technically accomplished ceramicists—many of whom have long been overlooked in their field—have pushed the physical limits of the medium, stepping outside the conventional nature of working with clay despite societal and cultural expectations.” 

The exhibition is accompanied by an illustrated catalogue published by the Art Institute of Chicago. It features contributions by Hollis Goodall, former Curator of Japanese Art at the Los Angeles County Museum of Art, and Janice Katz, Roger L. Weston Associate Curator of Japanese Art.  

To request interviews and high resolution photography, contact the Communications Office of Phoenix Art Museum at samantha.andreacchi@phxart.org or kaylee.weyrauch@phxart.org. 

About the Exhibition

Radical Clay: Contemporary Women Artists from Japan is organized by the Art Institute of Chicago and the Carol and Jeffrey Horvitz Collection and curated by Janice Katz, Roger L. Weston Curator of Japanese Art. Its presentation at Phoenix Art Museum is coordinated by Colin Pearson, Curator of Asian Art. 

The exhibition is presented by Katharine and Nicholas J. Feduska, M.D. and E. Rhodes and Leona B. Carpenter Foundation.

All contemporary art exhibitions and projects are made possible in part by the Rob Walton, Jordan Rose, and Rose Law Group Fund for Contemporary Art.

All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation, with additional major support provided by Joan Cremin.

Admission is free for Museum Members; youth aged 5 and younger; and Maricopa County Community Colleges students. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix, and First Fridays from 5 – 8 pm, made possible by APS and Lexus, with additional support from Arizona Community Foundation. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, a monthly live-music series, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

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PHOENIX (July 16, 2025) – This summer, Phoenix Art Museum (PhxArt) presents the Southwest premiere of Florentine Baroque: The Haukohl Collection, showcasing a superlative collection of historically significant works from 17^th– and 18^th-century Florence that are rarely seen outside of Italy. The exhibition features gilded paintings and delicate sculptures that demonstrate the distinctive Florentine Baroque style, known for its poetic and colorful symbolism. Drawn from The Haukohl Collection, works feature dramatic and vibrant depictions of religious, classical, mythological, and allegorical narratives. The first exhibition of its kind in Arizona, Florentine Baroque is an unprecedented opportunity for regional audiences to unravel the legacy of many important Florentine artists of the period who contributed to the Tuscan city’s cultural legacy, most notably supported by the Medici Grand Dukes. Florentine Baroque: The Haukohl Collection will be on view at PhxArt from August 28, 2025 – July 26, 2026. 

“Phoenix Art Museum is excited to present the Arizona and Southwest premiere of Florentine Baroque: The Haukohl Collection,’” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “This exhibition offers a unique opportunity for our audiences to explore works from a specific place and art historical period that are not prominently represented in the Phoenix Art Museum Collection. Additionally, it is the only chance to view these stunning sculptures, paintings, and more in the Southwest. We are grateful to Sir Mark Fehrs Haukohl for his partnership in bringing this collection to our visitors.”

Florentine Baroque: The Haukohl Collection showcases more than 30 examples of large- and small-scale works from some of the most prominent artist families in Italy. Featuring work by Florentine artists who lived and produced across Europe, the collection was assembled over more than 40 years by Sir Mark Fehrs Haukohl, a Houston-based art collector and co-founder of the Medici Archive Project. The exhibition at Phoenix Art Museum uncovers the splendor and significance of the Florentine Baroque art movement. Visitors to the exhibition will discover how Florentine Baroque works unite influences of Florentine tradition with Renaissance sensibilities, yielding a style that is at once sensuous and poetic. The rare display of works also provides the opportunity to examine the legacy of the House of Medici. The Medici Bank was founded in 1397 and for hundreds of years was the largest bank in Europe. The renowned Italian banking family eventually became one of the most influential families in European history, serving as the de facto rulers of the Republic of Florence through their financial patronage of advancements in art, banking, and architecture before taking political office in the 16^th century. The family’s lineage also includes four popes, thirteen cardinals, and various bishops. 

Florentine Baroque is organized into three distinct thematic sections. Faith, Strength, and Courage features depictions of Biblical narratives and religious figures that reference the dominant Catholic faith in Florence as well as the Renaissance interest in humanism, a classical movement that emphasized human values. Sacred Beauty, Fierce Devotion showcases portraits of saints, but unlike previous generations of artists, works by featured 17^th-century painters represent these pious figures as distinctly human rather than divine, with naturalistic forms, expressions, and mannerisms. Finally, Allegory, Gods, and Heroes presents mythological and allegorical figures and stories that reflect the intellectual, artistic, and moral ideals of the time, which was characterized by significant advancements in music, philosophy, science, and all the humanities. Undergirding each section is the marked influence of the Medici Grand Dukes of Florence, whose patronage of the arts fostered a wide range of artists in Italy and across Europe, including Leonardo Da Vinci, Raphael, and Donatello, among many other notable artists.

“The Haukohl Philanthropies are thrilled to be working with the experienced curatorial and management team of Phoenix Art Museum. We are delighted to loan the Medici Collection to the Museum for one year and work with the Arizona community to offer a wide range of special programs,” said Sir Mark Fehrs Haukohl, co-founder of the Medici Archive Project. “The exhibition is dedicated in honor of my late cousin, Dr. Howard Somers Conant, Chair of the Art Department of New York University and later, Head of the Department of Art at the University of Arizona.” 

The exhibition is accompanied by a fully illustrated 288-page catalogue, Beyond the Medici: The Haukohl Family Collection, which will be available for purchase in The Museum Store with editions in English, German, and Italian. The publication features paintings, drawings, textiles, and sculpture in the collection that document the Medici patronage and artists of the period. Particular attention is paid to the Dandini Family of painters—Cesare, Vincenzo, and Pier—each reviewed in depth along with a generous bibliography. Essays by Drs. Eike Schmidt, James Bradburn, Federico Berti, Fabio Sottili, and Francesco Scasciamacchia address a broad overview of collecting and history of the period.

Throughout the run of the exhibition, the Museum will host dynamic programs to provide deeper historical and social context to the featured artworks. The calendar of events includes:

August 27 | 10 am – 8 pm 
Members-Only Preview Day
PhxArt Members enjoy exclusive access to the exhibition before it opens to the public, with Docent presentations throughout the day. Member RSVP only.

September 4 | 10:30 – 11 am
Storytime in the Gallery 
Designed for the Museum’s youngest visitors (ages 0-5), this edition of Storytime will feature a book and art-making activity inspired by the Florentine Baroque art movement. Tickets available here.

September 6, 13, 20, 27 | 11 am – 3 pm
Create Playdate
Create Playdate offers young artists a variety of hands-on maker experiences every Saturday with the Museum’s mobile, in-gallery art cart. Throughout the month of September, discover themed activities inspired by the groundbreaking exhibition. No RSVP required.

December 18 | 6 – 7 pm
SOUNDCHECK
This holiday season, enjoy a live music performance in the Museum’s picturesque Dorrance Sculpture Garden inspired by Florentine Baroque: The Haukohl Collection. SOUNDCHECK is the Museum’s new live-music series that brings popular local + regional acts to the Museum for raw, unmissable performances in our gallery spaces. Performer information and tickets forthcoming.

January 28 | 6 – 7 pm 
Carved Splendors: Florentine Baroque Frames at the Medici Court 
Hosted by FOCUS on European Art in partnership with Phoenix Art Museum, hear from Dr. Davide Gasparotto, Senior Curator of Paintings at the Getty Museum, who will discuss the gilded frames of the Florentine Baroque. Tickets forthcoming.

February 4 | 5 – 8 pm
Lemon Library Book Club + Lecture
Inspired by Florentine Baroque: The Haukohl Collection, join Lemon Art Research Librarian Jesse Lopez for a book club discussion and lecture focused on The Beauty and the Terror by Catherine Fletcher. Book selection and tickets forthcoming. 

April 3 | 5 – 8 pm  
First Friday  
Enjoy exhibition tours, art-making activities, and more, all with pay-what-you-wish admission to the entire Museum, including Florentine Baroque: The Haukohl Collection. Tickets forthcoming.

To receive high-resolution photography for Florentine Baroque: The Haukohl Collection, contact the Communications Office of Phoenix Art Museum at press@phxart.org and samantha.andreacchi@phxart.org. 

About the Exhibition

Florentine Baroque: The Haukohl Collection is organized by Sir Mark Fehrs Haukohl with the generous support of Haukohl Philanthropies. Its presentation at Phoenix Art Museum is coordinated by Rachel Sadvary Zebro, Associate Curator of Collections. It is made possible by Joanna and Mick Levin. All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

Admission is free for Museum Members; youth aged 5 and younger; and Maricopa County Community Colleges students. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix, and First Fridays from 5 – 8 pm, made possible by APS and Lexus. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art and fashion of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and art experiences. Each year, more than 250,000 guests engage with critically acclaimed national and international exhibitions, as well as the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion. The Museum also presents vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson and is home to The Gene and Cathy Lemon Art Research Library, The Thorne Miniature Rooms, The Ullman Center for the Art of Philip C. Curtis, and Arizona Costume Institute (ACI). For the community, PhxArt hosts lectures, live performances, outstanding examples of global cinema, arts-education workshops, family-focused programs, and more. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880. 

About Sir Mark Fehrs Haukohl and The Haukohl Philanthropies

Sir Mark is a collector and philanthropist residing in Houston, Texas. He is Chairman of the Board of The Vero Group, a Family Office. Sir Mark is an experienced Wall Street investor having previously been Managing Director of Salomon Smith Barney in New York. He is co-founder of The Medici Archive Project of Florence, Italy. The Haukohl Family Philanthropies, whose objective is to advance art education for underserved audiences, have underwritten numerous acquisitions and exhibitions at the J. Paul Getty Museum of Los Angeles, The Philadelphia Museum of Art, The Arp Museum in Banhof Rolandseck of Remagen, Germany and the BOZAR in Brussels, to name only a few.

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PHOENIX (July 2, 2025) – Phoenix Art Museum (PhxArt) announces the appointment of two new curators: Colin Pearson as the institution’s Curator for Asian Art and Dr. JoAnna Reyes as its new Adjunct Curator for Art of the Americas. Reyes’ role is a collaborative appointment between Phoenix Art Museum and the School of Art in Arizona State University’s (ASU) Herberger Institute for Design and the Arts. In their respective roles, Pearson will develop exhibitions that draw from and highlight the Museum’s expansive Asian art collection, and Reyes will curate exhibitions across the Museum’s American, Western American, Latin American, and Spanish Colonial art collections. Both Pearson and Reyes assume their roles effective immediately. 

“We are thrilled to welcome Colin Pearson and JoAnna Reyes to the outstanding curatorial team at Phoenix Art Museum,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Both Colin and JoAnna have deep expertise and significant experience within their respective fields and bring fresh, innovative perspectives to the presentation of the PhxArt Collection’s rich holdings. We are excited to see how their exhibitions engage and educate our audiences in new ways, reaffirming the Museum’s role as a space of belonging that reflects the breadth of experiences represented across our community.”

“I am both excited and humbled to be appointed as Phoenix Art Museum’s third curator of Asian art, and I look forward to sharing this incredibly rich collection with audiences in a variety of new ways,” said Pearson. “I feel passionately that the physical distance between Arizona and the places where these wonderful artworks originate does not need to be a barrier to the appreciation of their beauty. By approaching the collection with an open mind, I seek to help audiences discover what makes the artistic traditions of Asia distinct, highlight the intercultural exchanges that have always connected us, and make Asian art accessible and relevant for the diverse and family-oriented audiences here in the Valley of the Sun.”

“I am excited to join the curatorial team at Phoenix Art Museum and explore the Museum’s incredible collection of art from across the Americas,” said Reyes. “By taking a hemispheric approach, I hope to create exhibitions that highlight the migrations, exchanges, and shared stories that have shaped the region, with the goal of sparking new conversations and understanding of the art of the Americas.”

About Colin Pearson

Colin Pearson assumes his new role as PhxArt’s Curator of Asian Art, bringing over a decade of experience curating collections of Asian artworks, ceramics, craft items, musical instruments, and ethnographic artifacts, with expertise on the effects of maritime and Silk Road trade routes on the arts of Tibet, China, and India. He previously served as the Museum’s adjunct curator of Asian art since 2024, overseeing the refresh of the Art of Asia galleries and curating exhibitions such as Chardi Kala: Rising Above Adversity, a presentation of Sikh artworks exploring the concept of unwavering optimism in the face of hardship. This year, Pearson will serve as coordinating curator for the Museum’s presentation of Radical Clay: Contemporary Women Artists from Japan, organized by the Art Institute of Chicago, and lead curator for the exhibition Flowers of the Punjab: Textiles of India and Beyond, both opening in September 2025.

In addition to his work at PhxArt, Pearson has collaborated on curatorial projects at Arizona State University (ASU) and catalogued a collection of nearly 200 textiles, artworks, and ethnographic objects for ASU’s Center for Asian Research. From 2020 to 2022, Pearson served as a curator for the Zayed National Museum in the United Arab Emirates, cultivating and sharing his extensive knowledge of ceramics and other export goods traded along overland and maritime routes from China, Japan, Vietnam, Thailand, and India. As a curator at the Musical Instrument Museum in Phoenix from 2009 to 2020, Pearson organized special exhibitions of custom-inlaid guitars and Chinese antiquities. He also expanded the institution’s collection of instruments and artifacts from Asia, Oceania, and the Middle East, as well as instruments from Europe and North America. 

Pearson has delivered public talks and lectures on a wide range of topics relating to Asian art, including the musical and artistic cultures of Asia, connoisseurship and classification schemes, and the global legacies of cultural interactions throughout history. He earned his Bachelor of Music at California State University, Long Beach and his Master of Arts in Ethnomusicology from the University of California at Riverside. He is currently working toward his PhD in Asian Art History at Arizona State University.

About Dr. JoAnna Reyes

Dr. JoAnna Reyes’s collaborative appointment as the Adjunct Curator for Art of the Americas at Phoenix Art Museum and Assistant Professor of Art History and Museum Studies at Arizona State University (ASU) further deepens the collaboration between the leading art museum in the Southwest and one of the largest comprehensive arts programs at a public research university in the U.S. In her new role at PhxArt, Reyes will curate exhibitions across the Museum’s American, Western American, Latin American, and Spanish Colonial art collections, expanding opportunities for audiences to consider connections across borders, time periods, and cultures.

Reyes’ first curatorial project at the Museum will be a collection installation in the institution’s newly renovated Art of the Americas and Europe galleries, which are re-opening in November 2025. Drawing from the Museum’s Spanish Colonial and Latin American art collections, Reyes will highlight the traditions and innovations in the viceregal art of Latin America, and how artists of the period drew inspiration from Asian art objects and prints from Northern Europe to create innovative, sophisticated, and nuanced works imbued with traditional Indigenous techniques, Catholic devotional imagery, and new iconographies invented to honor local saints and miracles. The installation will also showcase contemporary works that exemplify how Latin American artists today reference this period in their practices. 

In addition to her curatorial work, this fall Reyes will teach an ASU art history seminar, located in the Museum’s Education building. Reyes will use the PhxArt collection and new North Wing collection galleries to focus on a period between the 15^th and 16^thcenturies often referred to as the Age of Discovery, when Europeans developed a growing fascination with collecting a wide array of antiquities, natural specimens, books, prints, drawings, paintings, and other projects, largely influenced by the exploration and colonization of the Americas. Students will examine the practices and theoretical frameworks that informed early modern collecting and how they evolved into contemporary museological contexts, particularly around topics of repatriation, restitution, and deaccessioning.

A specialist in the visual and material culture of viceregal Latin American and contemporary Chicana/o America, Reyes explores identity, art patronage, and how images and symbols, particularly from border regions, shape our understanding of place and culture. She developed the 2025 exhibition Agua es Vida at the Rio Salado Audubon Center and Samouraï: Armure du Guerrier (2011) at the musée du Quai Branly with the Barbier-Mueller Museum (Dallas), published an entry in Archive of the World: Art and Imagination in Spanish America, 1500-1800 (Delmonico, 2022), and co-authored an article in Feminist Formations (John Hopkins University Press, 2022), among other ongoing writing and book projects. 

Reyes, who earned her PhD from the University of California, Los Angeles, worked at the Getty Research Institute and served as the curatorial assistant at LACMA (2013-2015) and Mellon Fellow (2016-2017). Previously, she worked at the Hispanic Society Museum and Library (NY) and the Barbier-Mueller Museum, and from 2016-2019, she served as the book review editor for Aztlán: A Journal of Chicano Studies. 

About Phoenix Art Museum

Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art and fashion of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and art experiences. Each year, more than 250,000 guests engage with critically acclaimed national and international exhibitions, as well as the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion. The Museum also presents vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson and is home to The Gene and Cathy Lemon Art Research Library, The Thorne Miniature Rooms, The Ullman Center for the Art of Philip C. Curtis, and Arizona Costume Institute (ACI). For the community, PhxArt hosts lectures, live performances, outstanding examples of global cinema, arts-education workshops, family-focused programs, and more. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880. 

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PHOENIX (April 23, 2025) – This fall, Phoenix Art Museum (PhxArt) presents Eric Fischl: Stories Told, organized by PhxArt and guest curated by Heather Sealy Lineberry, Curator Emeritus at the Arizona State University Art Museum. The major exhibition explores several notable series created by the figurative painter from the late 1970s to today, foregrounding his career-long commitment to depicting the human figure amid middle-class suburban settings inspired by his childhood and personal experiences. Eric Fischl: Stories Told will be on view at PhxArt from November 7, 2025 – June 14, 2026.

“Phoenix Art Museum is honored to premiere Eric Fischl: Stories Told in the very city where Fischl began his artistic career,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “For decades, Eric Fischl’s painting, drawing, and sculptural practice have garnered tremendous art-world acclaim, especially from artists with a particular interest in the human figure. In addition to his international stature, Fischl has had a profound impact on the Phoenix arts scene through longtime mentorship and philanthropic endeavors at Phoenix College, making this survey of signature works—the first full-scale, solo exhibition of Fischl’s art since 2018—a homecoming of sorts.” 

Fischl (b. 1948) grew up in Long Island, New York, and Phoenix, Arizona, where he attended Phoenix College and Arizona State University in the late 1960s. After studying under contemporary landscape painter Merrill Mahaffey, Fischl received his B.F.A. in 1972 as part of the first graduating class at the California Institute for the Arts (CalArts). During a time when new art forms and ideas reigned at CalArts, Fischl largely had to teach himself to paint in the traditional manner, studying early modern artists like Manet and Degas. Working with figurative painting and narrative content in the late 1970s, when it was decidedly out of favor in the art world, Fischl made his subject what he knew best: memories of suburban life and the nuclear family of his childhood. Across his oeuvre, Fischl has explored themes such as the aspirational American Dream of the 1950s, the radical social and aesthetic shifts of the 1960s and 1970s, and the heady culture of New York City and its defining art movements of the 1980s. Throughout his long career, Fischl  has consistently centered the human figure in his work, placing it in fraught, ambiguous moments where social taboos, anxieties, family secrets, masculinity, unacknowledged privilege, the collision of the public and the private, and more bubble just below the surface.

Eric Fischl: Stories Told brings together approximately 40 large-scale works that prominently display Fischl’s astounding consistency in and commitment to painting the human form within the context of middle-class America. Organized into four thematic sections, the exhibition showcases Fischl’s well-known early paintings and works on paper in conversation with paintings from series created later in Fischl’s career, including Late America, My Old Neighborhood, Presence of an Absence, Complications from an Already Unfulfilled Life, Melancholia, and Hotel Stories. The sections are defined by their key compositional element—the human body—depicted alone, in a couple, as part of a family, or in a crowd. This straightforward approach underlines Fischl’s constant consideration of the relationship between individual and collective identities, and highlights recurring themes throughout his career.

“For more than 45 years, Eric Fischl has used figurative painting to examine the defining social issues and current events of our time,” said Heather Sealy Lineberry, the exhibition’s curator. “Eric Fischl: Stories Told is a timely opportunity to recontextualize the artist’s work within our contemporary moment as figure painting experiences an international resurgence and as Fischl continues to examine the possibilities and promises, the disparities and contradictions of the American experience.”

Eric Fischl: Stories Told is accompanied by a fully illustrated, 160-page catalogue published by Scala Arts Publishers, Inc., with an introduction by curator Heather Sealy Lineberry and essays by art historian Dr. Kathryn Brown; art critic and curator Eleanor Heartney; and Eleanor Nairne, the Keith L. and Katherine Sachs Curator of Modern and Contemporary Art and Department Head, Modern and Contemporary at the Philadelphia Museum of Art. The publication also features a conversation between Eric Fischl and artist Arcmanoro Niles, as well as an annotated chronology of Fischl’s life and career.

High-resolution photography for Eric Fischl: Stories Told can be downloaded here. To request interviews, contact the Communications Office of Phoenix Art Museum at 602.257.2117 or samantha.santos@phxart.org.

About the Exhibition
Eric Fischl: Stories Told is organized by Phoenix Art Museum and guest curated by Heather Sealy Lineberry, Curator Emeritus at the Arizona State University Art Museum, faculty associate in the ASU School of Art’s Museum Studies program. The exhibition is made possible by Men’s Arts Council, Margaret T. Morris Foundation, Steven Martin and Anne Stringfield, James and Janet Dicke, Bruce and Suzie Kovner, and DL Winters Foundation, with additional support provided by Rafael Jablonka.

All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

Admission is free for Museum Members; youth aged 5 and younger; and Maricopa County Community Colleges students. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix, and First Fridays from 5 – 8 pm, made possible by APS and Lexus. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum
Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, an art+music festival, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About Eric Fischl
Eric Fischl was born in 1948 in New York City and grew up in the suburbs of Long Island. He began his art education in Phoenix, Arizona, where his parents had moved in 1967. He attended Phoenix College and Arizona State University before earning his B.F.A. from the California Institute for the Arts in 1972. He then spent some time in Chicago, where he worked as a guard at the Museum of Contemporary Art. In 1974, he moved to Halifax, Nova Scotia, to teach painting at the Nova Scotia College of Art and Design. Fischl had his first solo show, curated by Bruce W. Ferguson, at Dalhousie Art Gallery in Nova Scotia in 1975 before relocating to New York City in 1978.

Fischl’s suburban upbringing provided him with a backdrop of alcoholism and a country club culture obsessed with image over content. His early work thus became focused on the rift between what was experienced and what could not be said. His first New York City solo show was at Edward Thorp Gallery in 1979, during a time when suburbia was not considered a legitimate genre for art. He first received critical attention for depicting the dark, disturbing undercurrents of mainstream American life. Fischl’s paintings, sculptures, drawings and prints have been the subject of numerous solo and major group exhibitions, and his work is represented in many museums, as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musèe Beaubourg in Paris, The Paine Weber Collection, and many others. Fischl has collaborated with other artists and authors, including E.L. Doctorow, Allen Ginsberg, Jamaica Kincaid, Jerry Saltz and Frederic Tuten. He is also the founder, President, and lead curator for America: Now and Here, an project that launched in 2011 and featured 150 of some of America’s most celebrated visual artists, musicians, poets, playwrights, and filmmakers.

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PHOENIX, AZ (March 26, 2025) – This summer, Phoenix Art Museum (PhxArt) will explore the use of comedy throughout the history of photography in Funny Business: Photography and Humor. Drawn primarily from the collection of the Center for Creative Photography (CCP) at the University of Arizona in Tucson, the exhibition presents 70 photographs that showcase the mechanics of photographic humor, while examining the reasons for which artists throughout time have employed it as a strategy in their work. Funny Business: Photography and Humor will be on view at the Museum from June 14, 2025, through January 4, 2026.

Spanning nearly the entire history of the medium, Funny Business offers a compelling view into the ways artists have utilized visual humor not only to provoke laughter and delight, but also as a means of resistance, an antidote to the heaviness of the world, and a way to interrogate and subvert norms and hierarchies. The exhibition features wide-ranging examples of photographic humor that invoke a variety of comedic modes, including slapstick, irony, absurdism, satire, self-deprecation, and parody. Featured works include vernacular snapshots, mid-century street photography, tongue-in-cheek 1970s conceptual imagery, and contemporary works by the following artists:

• John Baldessari
• Tom Barrow
• Jo Ann Callis
• Liz Cohen
• Robert Cumming
• Judy Dater
• Steffi Faircloth
• Jacques-Henri Lartigue
• Zig Jackson
• Kenneth Josephson
• Tommy Kha
• Tseng Kwong Chi
• Helen Levitt
• Jeff Mermelstein
• Bucky Miller
• Reynier Leyva Novo
• Mike Mandel and Larry Sultan
• Lisette Model
• Clare Strand
• William Wegman
• Garry Winogrand
• Guanyu Xu

“As the first original exhibition from Emilia Mickevicius, the Norton Family Assistant Curator of Photography at Phoenix Art Museum and the Center for Creative Photography, Funny Business: Photography and Humor embodies a creative, clever, and innovative approach to viewing photography from a new perspective,” said Jeremy Mikolajczak, the Sybil Harrington Director and CEO of Phoenix Art Museum. “Funny Business personifies unique ways exhibitions can engage visitors and provoke delight, exemplifying that humor is oftentimes the best remedy for a challenging world.”

Funny Business is arranged in four thematic sections:

• All the World’s a Stage highlights slapstick and observational comedy through a constellation of early 20^th-century gelatin silver prints and snapshots displayed in conversation with examples of canonical mid-20th century street photography. Viewers consider photographs as a source of joy and discover how successful street photography—like observational comedy—is fundamentally rooted in the photographer being keenly attuned to the theater or “raw material” of their surroundings.
• Inside Jokes charts the medium’s evolution in the 1970s, when art institutions began accepting and exhibiting photography as a legitimate art form. Featured works highlight photographers’ adoption of a tongue-in-cheek attitude toward their predecessors and the conventions and aesthetics of the medium itself. This approach to photography resulted in visually mischievous works that use humor to poke fun at photographic meaning.
• Context is Everything explores how subjects and photographic images can become absurd, ironic, and nonsensical when shown outside of their original contexts or in unexpected juxtaposition with one another.
• Comic Relief features the work of contemporary artists who use humor in a critical or subversive manner to explore issues of identity and belonging, politics, and general dimensions of contemporary life. Humor operates in their work as a means of resistance, a coping mechanism, a refusal to become cynical, or a way to subvert power structures and challenge stereotypes. These artists use varying degrees of comedy to question the status quo and consider how we relate to the world and one another.

“In my practice, I am always looking for ways to make photography more accessible to wider audiences,” said Emilia Mickevicius, the Norton Family Assistant Curator of Photography at Phoenix Art Museum and the Center for Creative Photography. “Humor is a fun and approachable lens for visitors to consider the history of photography and explore the sophisticated dimensions of how we perceive images. I hope people come away learning something new about the medium and the role it plays in our perceptions and everyday lives.”

High-resolution photography for Funny Business: Photography and Humor can be downloaded here. To request interviews, contact the Communications Office of Phoenix Art Museum at 602.257.2117 or samantha.santos@phxart.org.

About the Exhibition
Funny Business: Photography and Humor is co-organized by Phoenix Art Museum and the Center for Creative Photography. The exhibition is curated by Emilia Mickevicius, PhD, the Norton Family Assistant Curator of Photography. 

All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

Admission is free for Museum Members; youth aged 5 and younger; and Maricopa County Community Colleges students. Entrance into the exhibition is included in general admission for the public. Visitors may also enjoy reduced admission to the exhibition during voluntary-donation times on Wednesdays from 3 – 8 pm, made possible by SRP and City of Phoenix. For a full breakdown of general admission prices and hours, see phxart.org/visit/.

About Phoenix Art Museum
Since 1959, Phoenix Art Museum (PhxArt) has engaged millions of visitors with the art of our region and world. Located in Phoenix’s Central Corridor, PhxArt creates spaces of exchange and belonging for all audiences through dynamic exhibitions, collections, and experiences with art. Each year, 300,000 guests on average engage with critically acclaimed national and international exhibitions and the Museum’s collection of more than 21,000 works of American and Western American, Asian, European, Latin American, modern, and contemporary art and fashion design, along with vibrant photography exhibitions made possible through the Museum’s landmark partnership with the Center for Creative Photography at the University of Arizona in Tucson. PhxArt also presents live performances, outstanding examples of global cinema, arts-education programs and workshops, an art+music festival, and more for the community. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.

About the Center for Creative Photography (CCP)
Celebrating 50 years in 2025, the Center for Creative Photography is the largest institution in North America devoted to the research and exhibition of photography. At the heart of CCP’s holdings are more than 300 archives of photographers, scholars, galleries, and organizations, complemented by an unparalleled collection of some 120,000 fine prints. In addition, CCP focuses on preserving and stewarding its holdings through a robust conservation program and digital imaging unit. The Center owns and manages copyrights for a selection of archive artists and supports licensing and image file delivery to publishers, authors, educators, and filmmakers worldwide. As unit of Arizona Arts at the University of Arizona, the Center maintains a robust calendar of free exhibitions and programs for the public, serves students and faculty through curricular engagements, and awards several international research fellowships annually.

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