Press RoomPhoenix Art Museum to celebrate major gift of contemporary Latin American art with groundbreaking exhibition in May 2020
Phoenix Art Museum to celebrate major gift of contemporary Latin American art with groundbreaking exhibition in May 2020
Feb, 14, 2020
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Phoenix Art Museum to celebrate major gift of contemporary Latin American art with groundbreaking exhibition in May 2020
Stories of Abstraction presents rarely seen examples of Latin American abstraction from the past three decades
PHOENIX (February 14, 2020) – A new exhibition at Phoenix Art Museum will present for the
first time more than 40 recently acquired works of contemporary Latin American
art to explore how the visual language of abstraction has generated profound
insights into Latin American culture and politics and how Latin American
artists have drawn on abstraction’s history within the region as well as the
United States and Europe. Stories of
Abstraction: Contemporary Latin American Art celebrates the contemporary
artworks gifted to the Museum in 2018 by Nicholas Pardon, co-founder of the
former SPACE collection—the largest collection of post-1990s abstract Latin
American art in the United States. Featuring work by 25 artists from eight
countries, the exhibition opens a window onto this important genre of
contemporary art and explores how abstraction is used to visualize the social
philosophies of the present. Stories of
Abstraction will be on view at Phoenix Art Museum from May 2 through
September 20, 2020.
“Stories
of Abstraction seeks to uncover the ways in which Latin American artists
have used abstraction as both a vehicle to explore key issues relating to
society and a tool to recast sometimes radical civic discourse,” said Gilbert
Vicario, the Museum’s Deputy Director for Curatorial Affairs and the Selig
Family Chief Curator who curated the exhibition. “The title of the exhibition
intends to make clear that there are complex narratives within these abstract
works. The exhibition also furthers the Museum’s dedication to preserving and
presenting significant works by Latin American artists, as well as its
commitment to developing original scholarship that examines the meaning and
underpinnings of abstract Latin American art. As our Phoenix community is more
than 40% Latinx, Stories of Abstraction
offers a timely examination of the visual language of Latin American
abstraction, one that we believe our visitors can relate to and find inspiring
and exciting.”
The recent acquisition of 112 works of
art from Pardon, including paintings, sculptures, installations, and works on
paper, represents a nearly 300% increase in the Museum’s holdings of
contemporary Latin American art. Featuring artwork from the most innovative
artists working in Latin America in recent years and today, including seven
women artists, Stories of Abstraction makes
accessible a wide range of compelling artwork from Venezuela, Mexico, Peru,
Argentina, Colombia, Brazil, Honduras, and Guatemala. Stories of Abstraction will historically contextualize the
exhibition’s contemporary works by placing them alongside key artworks from
earlier decades to clarify Latin American abstraction’s relationship to other
abstract movements. Historical works by Alexander Calder, Pedro Friedeberg,
Carlos Mérida, Frank Stella, Bridget Riley, and Jesús Rafael Soto, among
others, will complement more contemporary works from the Museum’s collection.
Key highlights from the exhibition
include:
Honduran artist Adán Vallecillo’s Pantones (2013), in which six hanging
banners made of moto-taxi covers are placed in dialogue with each other. The
work highlights the use of nontraditional materials in Latin American
abstraction and encourages viewers to engage with and walk along its stratified
banners to examine the visual continuities and obscurities between each layer.
Venezuelan artist Emilia Azcárate’s La mar de letras (2013), a five-paneled
work exploring language and written communication, features illegible strings
of letters from an old typewriter in a radiant green ink. By visualizing
mechanical, repetitive, and obsessive forms of mark-making on paper, Azcárate
creates an indecipherable sea of letters to prompt reflection on the
complications and fallibility of language and to turn a coherent system of
writing into a complex abstraction.
Colombian artist Gabriel Sierra’s Sin título (siete conejos) (2001-2013),
a sculptural installation consisting of glue and straw bricks arranged in
descending scale, continues the artist’s exploration of the languages of design
and architecture. Sierra uses straw as a vernacular material for construction
to signify humans’ modification of nature and adaptation to the environment.
Engaging ideas of community, habitat, and urbanism, Sierra manipulates architectural
dynamics to examine the forces governing human interaction with built
environments.
Argentinian artist Sergio Vega’s Shanty Nucleus After Derrida 2
(2011-2013), which presents yellow monochrome planes suspended in space,
creates an array of configurations and walkways that enable an interactive
viewing experience. These various planes constitute the color ground on which
photographs of “shanty” homes have been mounted to create fragmented sculptural
formations inspired by Derrida’s theory of deconstruction.
As an exploration of how abstraction is
employed in contemporary Latin American art to convey specific emotions,
stories, and ideas stemming from the cultural and political zeitgeist, Stories of Abstraction introduces new
narratives within the work of Latin American artists. Providing an overview of
post-1990s abstraction from various geographies in Latin America, the
exhibition seeks to address the multitude of ways in which artwork lacking
figuration or recognizable characters can generate insightful commentary and
even political change.
“Stories
of Abstraction places the Museum at the forefront of conversations
surrounding scholarship, exhibition practices, and the global significance of
contemporary Latin American art,” said Vicario. “The exhibition will foster new
dialogues in the Phoenix community and beyond and provide the opportunity to
learn about the significant achievements of Latin America’s foremost abstract
artists.”
About the Exhibition
Stories of Abstraction: Contemporary Latin
American Art will be on view from May 2 through
September 20, 2020 in Steele Gallery. It is organized by Phoenix Art Museum and
made possible through the generosity of the Museum’s Circles of Support and
Museum Members. The exhibition features objects donated to the Phoenix Art
Museum collection by Nicholas Pardon.
This
special-engagement exhibition is free for Museum Members; veterans and
active-duty military and their families; and youth aged 5 and younger.
General
admission:
$23 — Adults
$20 — Senior citizens (Ages 65+)
$18 — Students (with ID)
$14 — Children (Ages 6–17)
All
special-engagement exhibitions are included with general admission. During
voluntary-donation times when general admission is pay what you wish, admission
to Stories of Abstraction is $5.
Voluntary-donation times include Wednesdays from
3 – 9 pm and the first Friday of each month from 6 – 10 pm, with free admission
for youth 17 and younger on the last Saturday of each month. For a full
breakdown of general-admission prices and hours, please see bit.ly/VisitPhxArt.
To
request interviews and high-resolution photography, contact the Communications
Office of Phoenix Art Museum at 602.307.2003 or samantha.andreacchi@phxart.org.
About Phoenix Art Museum
Since
1959, Phoenix Art Museum has provided millions of guests with access to
world-class art and experiences in an effort to ignite imaginations, create
meaningful connections, and serve as a brave space for all people who wish to
experience the transformative power of art. Located in Phoenix’s Central
Corridor, the Museum is a vibrant destination for the visual arts and the
largest art museum in the southwestern United States. Each year, more than
300,000 guests engage with critically acclaimed national and international
exhibitions and the Museum’s collection of more than 20,000 works of American
and Western American, Asian, European, Latin American, modern and contemporary
art, and fashion design. The Museum also presents a comprehensive film program,
live performances, and educational programs designed for visitors of all ages,
along with vibrant photography exhibitions made possible through the Museum’s
landmark partnership with the Center for Creative Photography, University of
Arizona. To learn more about Phoenix Art Museum, visit phxart.org, or call 602.257.1880.