Venturing to Tibet in 2007 and 2010, Roth chose to photograph with Kodachrome film on both trips. This film, which is no longer produced, was known as the ‘black & white’ of color film, as its characteristic dramatic highlights and shadows punctuated the lush tones of red and other saturated warm hues, while subtly capturing earth tones. And, it rendered the truest photographic black. Roth states, “It is this contradiction and duality that I continually search for and respond to visually, as I believe that they are the seen metaphors for all that exists.”
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Header: Marissa Roth, Buddha’s foot with offerings of rice and money inside a small prayer room at the stupa of Gyantse Kunbum. May 2007. © Marissa Roth.
Left: After morning prayers, a lone monk stands in a doorway leading from the main sanctuary at Sakya Monastery. May 2007. © Marissa Roth.
Infinite Light: A Photographic Meditation on Tibet is organized by Marissa Roth Photography and Photokunst. It is made possible through the generosity of Asian Arts Council, a support group of Phoenix Art Museum, and the Desert Jade Women’s Endowment.
Crows and halo above Rongbuk Monastery near Mt. Everest base camp. May 2007. © Marissa Roth.
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