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(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.
MOVE: The Modern Cut of Geoffrey Beene
(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.

Ellman Fashion Design Gallery, Harnett Gallery, and Orme Lewis Gallery

Special-Engagement Exhibition

MOVE: The Modern Cut of Geoffrey Beene showcases the colorful, imaginative fashions of the late designer, whose dynamic garments prioritized comfort, movement, and a modern sensibility.

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(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.
MOVE: The Modern Cut of Geoffrey Beene
(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.

Ellman Fashion Design Gallery, Harnett Gallery, and Orme Lewis Gallery

Special-Engagement Exhibition

MOVE: The Modern Cut of Geoffrey Beene showcases the colorful, imaginative fashions of the late designer, whose dynamic garments prioritized comfort, movement, and a modern sensibility.

More
(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.
MOVE: The Modern Cut of Geoffrey Beene
(Left to right) Geoffrey Beene, Scarf, not dated. Multicolored polyester satin scarf. Gift of Patsy Tarr; Geoffrey Beene, Jumpsuit, not dated. Red sleeveless jumpsuit. Gift of Patsy Tarr; Geoffrey Beene, Jacket, not dated. Robin’s egg blue faille bolero jacket with multicolored quilted satin circle appliques and sequins. Gift of Patsy Tarr. Photo: Dan Vermillion.

Ellman Fashion Design Gallery, Harnett Gallery, and Orme Lewis Gallery

Special-Engagement Exhibition

MOVE: The Modern Cut of Geoffrey Beene showcases the colorful, imaginative fashions of the late designer, whose dynamic garments prioritized comfort, movement, and a modern sensibility.

More
Ricardo Martínez de Hoyos, Mujeres en el rio (Women in the River), 1964. Oil on canvas. Gift of Friends of Mexican Art.
Mission and Legacy: Friends of Mexican Art’s Enduring Impact in the Valley and Beyond
Ricardo Martínez de Hoyos, Mujeres en el rio (Women in the River), 1964. Oil on canvas. Gift of Friends of Mexican Art.

James K. Ballinger Gallery

Exhibition

Mission and Legacy celebrates the enduring influence of Friends of Mexican Art on the PhxArt Collection through outstanding works by the most renowned Mexican artists of the 20th and 21st centuries.

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Unknown, Depictions of Maharajah Rajinder Singh (1870-1900) (left) of the former kingdom of Kapurthala and his Prince the Maharajah, 19th century. The Khanuja Family.
Princely States of the Punjab: Sikh Art and History
Unknown, Depictions of Maharajah Rajinder Singh (1870-1900) (left) of the former kingdom of Kapurthala and his Prince the Maharajah, 19th century. The Khanuja Family.

Khanuja Family Sikh Heritage Gallery

Exhibition

In the 19th century, the Sikh empire flourished in the Punjab region of northwest India. Ruled by locals in alliance with the British Raj, these states and their palatial courts attracted artists, poets, and musicians. This latest exhibition in the Khanuja Family Sikh Heritage Gallery illuminates the regal stature of the period’s Sikh rulers through examples of state portraiture, precious jewelry, and military photography.

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Yun Shouping, Album of Flowers, Bamboo, Fruits and Vegetables, not dated. Ink and color on paper. Gift of Marilyn and Roy Papp.
Collection Spotlight: Art of Asia
Yun Shouping, Album of Flowers, Bamboo, Fruits and Vegetables, not dated. Ink and color on paper. Gift of Marilyn and Roy Papp.

Art of Asia galleries

Installations

Experience works from the Art of Asia collection that explore how diverse cultures have depicted scenes and elements of nature through various forms of artistic expression.

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Philip C. Curtis, Mountain Village, 1955. Oil on board. Bequest of Iris S. Darlington.
Philip C. Curtis and the Landscapes of Arizona
Philip C. Curtis, Mountain Village, 1955. Oil on board. Bequest of Iris S. Darlington.

The Ullman Center for the Art of Philip C. Curtis

Exhibition

Philip C. Curtis saw the desert through a lens of magic realism.

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Yayoi Kusama, You Who are Getting Obliterated in the Dancing Swarm of Fireflies (Tú que estás siendo obliterado por una multitud de luciérnagas danzantes), 2005, mixed media installation with LED lights, Museum purchase with funds provided by Jan and Howard Hendler.
Fireflies Infinity Mirror Room
Yayoi Kusama, You Who are Getting Obliterated in the Dancing Swarm of Fireflies (Tú que estás siendo obliterado por una multitud de luciérnagas danzantes), 2005, mixed media installation with LED lights, Museum purchase with funds provided by Jan and Howard Hendler.

First Floor North Wing

Installation

Become one with eternity inside the Museum’s most beloved installation — Yayoi Kusama’s infinity mirror room, You Who are Getting Obliterated in the Dancing Swarm of Fireflies.

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Amalia Mesa-Bains, What the River Gave to Me, 2002. Mixed media installation including hand-carved and painted sculptural landscape, LED lighting, crushed glass, hand-blown and engraved glass rocks, candles; 48 x 48 x 168 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco. Photo: John Janca.
Amalia Mesa-Bains: Archaeology of Memory
Amalia Mesa-Bains, What the River Gave to Me, 2002. Mixed media installation including hand-carved and painted sculptural landscape, LED lighting, crushed glass, hand-blown and engraved glass rocks, candles; 48 x 48 x 168 in. Courtesy of the artist and Rena Bransten Gallery, San Francisco. Photo: John Janca.

Steele Gallery

Special-Engagement Exhibition

Amalia Mesa-Bains: Archaeology of Memory examines the significant work and career of pioneering Chicana artist Amalia Mesa-Bains.

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