Geometry in ArtGeometry in Art

Geometry in Art

Geometry in Art
Jul, 20, 2021

Art

Geometry in Art

Explore works from the PhxArt collection that utilize shapes, lines, curves, and other geometric and mathematical properties and principles to create captivating experiences that stick with you long after you leave our galleries. And stick around to learn the mathematics behind a dress from our renowned fashion-design collection.


FROM THE VAULT

Torben Giehler, Tomorrow World (El mundo del mañana), 2001. Acrylic on canvas. Gift of Kent and Vicki Logan in honor of the Museum's 50th Anniversary.

Tomorrow World (2001) by Torben Giehler

Billy Al Bengston, Dodge City, 1961. Oil and lacquer on Masonite. Museum purchase with funds provided by the Contemporary Forum, Sette Publishing Company, the National Endowment for the Arts and other purchase funds.

Dodge City (1961) by Billy Al Bengston

Julian Stanczak, Monad (Mónada), 1972. Acrylic on canvas. Gift of Mr. and Mrs. David K. Anderson.

Monad (1972) by Julian Stanczak

Dan Graham, Curves for E.S. (Curvas para E.S.), 2005. Two-way mirror glass and stainless steel. Gift of Contemporary Forum.

Curves for E.S. (2005) by Dan Graham

Emil Bisttram, Tensions (Tensiones), 1939. Oil on board. Gift of Richard Anderman in honor of Lorenz and Joan Anderman.

Tensions (1939) by Emil Bisttram

Philip C. Curtis, Space Activity (Actividad espacial), 1946. Tempera on paper. Gift of the Philip C. Curtis Restated Trust U/A/D April 7, 1994.

Space Activity (1946) by Philip C. Curtis

Richard Anuszkiewicz, The Inward Eye (El ojo interior), late 20th century. Silkscreen. Gift of Carolyn Agress. © 2021 Artists Rights Society (ARS), New York.

The Inward Eye (late 20th century) by Richard Anuszkiewicz

Josiah McElheny, Extended Landscape Model for Total Reflective Abstraction: cone-like shape, 2004. Mirrored glass table with hand blown mirrored glass objects. Museum purchase with funds donated by Joseph and Mary Beth Cherskov.

Extended Landscape Model for Total Reflective Abstraction: cone-like shape (2004) by Josiah McElheny

Uta Barth, ... and to draw a bright white line with light (Untitled 11.5) (… y dibujar una línea blanca brillante con luz [Sin título 11.5]), 2011. Triptych of inkjet prints face-mounted against matte acrylic, framed in painted aluminum frames. Museum purchase with funds provided by Contemporary Forum (ArtPick 2012).

…and to draw a bright white line with light (Untitled 11.5) (2011) by Uta Barth

Marta Chilindrón, Cubo azul 48 (Blue Cube 48), 2006. Twin wall Polycarbonate. Gift of Nicholas Pardon. Image courtesy of Nicholas Pardon. Marta Chilindrón, Cubo azul 48 (Blue Cube 48), 2006. Twin wall Polycarbonate. Gift of Nicholas Pardon. Image courtesy of Nicholas Pardon. Marta Chilindrón, Cubo azul 48 (Blue Cube 48), 2006. Twin wall Polycarbonate. Gift of Nicholas Pardon. Image courtesy of Nicholas Pardon.

Marta Chilindrón, Cubo azul 48 (Blue Cube 48), 2006. Twin wall Polycarbonate. Gift of Nicholas Pardon. Image courtesy of Nicholas Pardon.

Blue Cube 48 (2006) by Marta Chilindrón


DEEP LOOKING: THE INFANTA

Taupe Infanta Dress

This signature evening gown, whose volume is created without rigid understructures or petticoats, is called the “Infanta.” It was developed by Ralph Rucci in partnership with Chado’s master pattern maker Gail Gondek. The garment’s pattern is derived from a mathematical formula based on the Golden Mean and through an understanding of the capabilities of the selected fabric’s drape, while the use of an algebraic equation to determine the size and variation of the pattern pieces creates a more exact balance between symmetry and asymmetry than could be achieved with freehand draping.

Ralph Rucci, Taupe Infanta dress (Vestido de infanta en color gris pardo), spring 2003. Silk faille and silk organza. Collection of Diane Halle.

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