Manjari Sharma, Maa Kali, From the Darshan Series, 2013. Archival inkjet print in brass-embossed frame. Collection of the Birmingham Museum of Art; Museum purchase, 2020.48.8a,b. Photography credit: Manjari Sharma, © Manjari Sharma.
ArtExhibitionsExpanding Darshan: Manjari Sharma, To See and Be Seen
Special-Engagement Exhibition

Expanding Darshan: Manjari Sharma, To See and Be Seen

December 16, 2023 - April 14, 2024 Located in Second Floor Katz Wing

Expanding Darshan: Manjari Sharma, To See and Be Seen features striking photographic works by Manjari Sharma that investigate identity, multiculturalism, and personal mythology.

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ABOUT THE EXHIBITION

Organized by the Birmingham Museum of Art, Expanding Darshan: Manjari Sharma, To See and Be Seen showcases the remarkable work of global contemporary artist Manjari Sharma. Based in Los Angeles, Sharma was born and raised in Mumbai, India. She creates work rooted in photographic portraiture that addresses issues of identity, multiculturalism, and personal mythology.

Manjari Sharma, Lord Ganesha, From the Darshan Series, 2011. Chromogenic print, brass embossed frame. Collection of Birmingham Museum of Art; Museum purchase, 2020.48.1a,b. Photography credit: Manjari Sharma, © Manjari Sharma.

Image credits: (above) Manjari Sharma, Lord Ganesha, From the Darshan Series, 2011. Chromogenic print, brass embossed frame. Collection of Birmingham Museum of Art; Museum purchase, 2020.48.1a,b. Photography credit: Manjari Sharma, © Manjari Sharma. (Header) Manjari Sharma, Maa Kali (detail), From the Darshan Series, 2013. Archival inkjet print in brass-embossed frame. Collection of the Birmingham Museum of Art; Museum purchase, 2020.48.8a,b. Photography credit: Manjari Sharma, © Manjari Sharma.

Sharma’s Darshan series began as a multiyear, crowdfunded project through the online platform Kickstarter and aimed to photographically re-imagine the experience of encountering Hindu deities in temple settings. The project, which required the cross-continental organization of a large team of models and craftspeople, garnered her wide critical acclaim. Each photographic scene in the series was created without digital manipulation.

In Expanding Darshan, Sharma’s intricate photographic portraits from her Darshan series are paired alongside historical sculptural objects from the collection of the Birmingham Museum of Art, many of which are on view to the public for the first time. In uniting these works from the 7th through the 20th centuries with Sharma’s contemporary images, the exhibition creates a dialogue about the long, inextricable relationship between art and religion, while introducing viewers to nine of the most significant deities of the Hindu pantheon and the concept of darshan—seeing and being seen by the divine.

Manjari Sharma, Maa Saraswati, From the Darshan Series, 2013. Archival inkjet print in brass-embossed frame. Collection of Birmingham Museum of Art; Museum purchase, 2020.48.4a. Photography credit: Manjari Sharma, © Manjari Sharma.

Manjari Sharma, Maa Saraswati, From the Darshan Series, 2013. Archival inkjet print in brass-embossed frame. Collection of Birmingham Museum of Art; Museum purchase, 2020.48.4a. Photography credit: Manjari Sharma, © Manjari Sharma.

Unidentified artists who worked in North India, Durga/Parvati with Lion, Doe, and Buck, 10th century, revival style of the Gupta period (319–467 CE). Sandstone. Collection of the Birmingham Museum of Art; Gift from the Asian Art Collection of Dr. and Mrs. William T. Price, 2001.68. Photography credit: Erin Croxton; Unidentified artists who worked in India or Pakistan, Elephant with Riders Roof Bracket, 18th century, Mughal period (1526–1857). Red sandstone. Collection of Birmingham Museum of Art; Gift from the Asian Art Collection of Dr. and Mrs. William T. Price in memory of Dr. M. Bruce Sullivan, 2003.55. Photography credit: Carmen Gonzalez Fraile; Unidentified artists who worked in Tamil Nadu, South India, Vishnu in the Form of Venugopala, the Flute-Player, 19th century revival style of the 12th–16th century. Cast bronze. Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Gift of Emily Bourne Grigsby, AFI.30.2010a-b. Photography credit: Erin Croxton.

(Left to right) Unidentified artists who worked in North India, Durga/Parvati with Lion, Doe, and Buck, 10th century, revival style of the Gupta period (319–467 CE). Sandstone. Collection of the Birmingham Museum of Art; Gift from the Asian Art Collection of Dr. and Mrs. William T. Price, 2001.68. Photography credit: Erin Croxton; Unidentified artists who worked in India or Pakistan, Elephant with Riders Roof Bracket, 18th century, Mughal period (1526–1857). Red sandstone. Collection of Birmingham Museum of Art; Gift from the Asian Art Collection of Dr. and Mrs. William T. Price in memory of Dr. M. Bruce Sullivan, 2003.55. Photography credit: Carmen Gonzalez Fraile; Unidentified artists who worked in Tamil Nadu, South India, Vishnu in the Form of Venugopala, the Flute-Player, 19th century revival style of the 12th–16th century. Cast bronze. Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Gift of Emily Bourne Grigsby, AFI.30.2010a-b. Photography credit: Erin Croxton.

EXHIBITION SPONSORS

Expanding Darshan: Manjari Sharma, To See and Be Seen is organized by Birmingham Museum of Art. The exhibition’s presentation at Phoenix Art Museum is coordinated by Janet Baker, PhD, Curator Emerita of Asian Art, and Rachel Sadvary Zebro, associate curator for collections, at Phoenix Art Museum, in collaboration with Katherine Anne Paul, PhD, the Virginia and William M. Spencer III Curator of Asian Art at the Birmingham Museum of Art.

Expanding Darshan: Manjari Sharma, To See and Be Seen is made possible through the generosity of Men’s Arts Council, with additional support from E. Rhodes and Leona B. Carpenter Foundation and Vermaland, LLC.

All exhibitions at Phoenix Art Museum are underwritten by the Phoenix Art Museum Exhibition Excellence Fund, founded by The Opatrny Family Foundation with additional major support provided by Joan Cremin.

RELATED EVENTS AND PROGRAMS

Art Talk: Manjari Sharma and Katherine Anne Paul
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